<body><script type="text/javascript"> function setAttributeOnload(object, attribute, val) { if(window.addEventListener) { window.addEventListener('load', function(){ object[attribute] = val; }, false); } else { window.attachEvent('onload', function(){ object[attribute] = val; }); } } </script> <div id="navbar-iframe-container"></div> <script type="text/javascript" src="https://apis.google.com/js/platform.js"></script> <script type="text/javascript"> gapi.load("gapi.iframes:gapi.iframes.style.bubble", function() { if (gapi.iframes && gapi.iframes.getContext) { gapi.iframes.getContext().openChild({ url: 'https://www.blogger.com/navbar/3970643?origin\x3dhttp://dumbfoundry.blogspot.com', where: document.getElementById("navbar-iframe-container"), id: "navbar-iframe" }); } }); </script>

dumbfoundry

Poetry news, poetry blogs, poetry magazines, poetry journals, poetry sites, poetry links, etc.

THE TIME WE KILLED
A beautiful, impressionistic cine-poem (and a companion piece to her short Chronic), Jennifer Reeves's debut feature combines elements of experimental film, narrative cinema, and documentary to create a stellar example of personal filmmaking. Poet Lisa Jarnot plays Robyn, a borderline agoraphobe who can't prevent the outside world from penetrating her Brooklyn apartment—whether it's a murder-suicide next door, memories of her true love, or September 11.

This entry was posted by eeksypeeksy on Tuesday, April 27, 2004 at 11:15 PM. You can skip to the end and leave a response.

« Home | Next »
| Next »
| Next »
| Next »
| Next »
| Next »
| Next »
| Next »
| Next »
| Next »

» Post a Comment