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The Anne Winters Challenge: Should a Marxist poet be stylistically ornate?
Anne Winters is one of the scarcest talents in American poetry. Winters is the author of two books of poems, The Key to the City and the new The Displaced of Capital, published 18 years apart. The books themselves are slim, even by the standards of poetry books. Her reputation comes to rest on perhaps a dozen poems written over the course of 30 or so years. All of these poems take New York City as their primary subject, and all of them are written from an inveterately leftist, even Marxist, point of view. There are good and expert and delightful things throughout all of Winters' poems, but these dozen or so poems about New York are her best, and a few of these are so good that they do what R.P. Blackmur says great art does: They "enlarge the stock of available reality." [...]
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