For example, fetishes... metonymic torsion [US]:
Much of my poetry is based on cognitive distortions. I never attempt to present a "best self" as poetic persona. Rather, a self that is even more befuddled by reality than I am, angrier, more splenetic.
For example, fetishes. Investing more in some object than its real value would suggest. I dislike the moralism that condemns fetishes and wants us to weigh everything according to its "true" value. The distortion itself has poetic value. Plus, I like the inversion of importance inherent in fetishism, its metonymic torsion.
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