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Whittling, Whistling [US]:
[...] If poetry is reduced to the iconic, the mutely representative, it becomes exactly what Plato would censor : the infinitely suggestive, multivalent text; ultimately ambiguous, essentially New Critical. And even if we accept Crane's and Olson's arguments regarding Aristotle's emphasis on the mimetic, representational (para-verbal) poetic substance, we are left with a basically aesthetic resolution (dénouement) to the creative process : the tragic poem "succeeds" by means of the craft which makes for a "self-standing", affective object. [...]
Yeah. Like he said.
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