<body><script type="text/javascript"> function setAttributeOnload(object, attribute, val) { if(window.addEventListener) { window.addEventListener('load', function(){ object[attribute] = val; }, false); } else { window.attachEvent('onload', function(){ object[attribute] = val; }); } } </script> <div id="navbar-iframe-container"></div> <script type="text/javascript" src="https://apis.google.com/js/platform.js"></script> <script type="text/javascript"> gapi.load("gapi.iframes:gapi.iframes.style.bubble", function() { if (gapi.iframes && gapi.iframes.getContext) { gapi.iframes.getContext().openChild({ url: 'https://www.blogger.com/navbar/3970643?origin\x3dhttp://dumbfoundry.blogspot.com', where: document.getElementById("navbar-iframe-container"), id: "navbar-iframe" }); } }); </script>

dumbfoundry

Poetry news, poetry blogs, poetry magazines, poetry journals, poetry sites, poetry links, etc.

The long road to Plath [Australia]:
A one-woman play tries to show Sylvia Plath as a person rather than an icon, a feminist icon or a literary figure, writes Philippa Hawker.

AN EVENING WITH Sylvia Plath, on the last day of her life. It doesn't sound like a hilarious night out at the theatre. But, says Paul Alexander, whatever they might have expected - perhaps a bleak tale of trauma, depression and suicide - audiences invariably come away from his play saying "I didn't realise it was going to be funny."

This entry was posted by Ivy on Saturday, January 28, 2006 at 12:51 AM. You can skip to the end and leave a response.

« Home | Next »
| Next »
| Next »
| Next »
| Next »
| Next »
| Next »
| Next »
| Next »
| Next »

No comment

» Post a Comment