Ever since poet and critic Wayne Koestenbaum broke onto the scene with his acclaimed "The Queen's Throat," which theorized about the distinct connection between gay men and opera, his dazzlingly personal approach to his subjects has been known to draw both intense loyalty and furious detractors (his deconstructed approach to Jacqueline Kennedy Onassis, for example, "Jackie Under My Skin," seemed to draw exclusively either raves or raspberries).
'I gave two of my poetry books, warmly inscribed, to a major poet. A few years later, my protege told me that she'd found those very copies, with their embarrassingly effusive inscriptions, at a used-book store.'
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on Saturday, September 10, 2011 at 7:11 AM.
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