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Thoughts on one's poetry and on reviews

Jill Jones writes:
Michael Farrell has just posted some comments on a couple of my poems on the Jacket2 site. He points out that some recent poems, such as these two, 'Leaving It To the Sky', from Dark Bright Doors, and 'Misinterpretations/ or the Dark Grey Outline', recently published in Overland, are, in his words, more 'aggressive' and 'rawer, rougher, more "live" '.

I hadn't thought of the newer poems in those terms, exactly. And another reviewer has pointed out the 'violence' in some of my work, overall. But it's apparent that Michael has noticed a newer mode in my work, that there are things 'up with which I will not put' any longer. A new assertiveness, rather than the previous assertiveness (which is there, if you look). He says: "It's a broader, more assertive platform for Jones's brand of projective verse, and one that bodes well for a midcareer future."

Parts of the poem, 'Misinterpretations ...' certainly were written out of a frustration with some not-well-thought-through ways critics were taking with my work, that, for instance, what I've been recently writing was a form of comfortable ecopoetic with some fancy philosophic or metaphysical flourishes. Living inside and out on the planet, where you are, and writing it, isn't easy, and it involves some thinking and some emotion - gee whiz, how hard is that to divine? But I'm not interested in being obscure, amorphous, or hermetic (though when did that become a negative?) - then, language is never straight forward (and, hey, isn't that kinda PomeWritin 101?).
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