'Invisible Listeners': Overheard Speech [US]:
When did you last read a book of literary criticism? Not recently, most people who do not write criticism themselves will answer. Criticism today is impenetrable and irrelevant, since it is jargon-ridden and no longer interested in literature. Or so people have said. There may have been some truth in this caricature a few years ago, but the Age of Theory is over in America, for better or worse, and plenty of literary critics go on with their work. Take Helen Vendler, who has been writing about literature in lucid prose for more than 40 years. Her "Invisible Listeners," a compact study of "lyric intimacy" in three poets, demonstrates, if you have forgotten, some of the best reasons to read literary criticism. [...]
Vendler's cases are the disarmingly human Jesus in George Herbert's 17th-century devotional lyrics, the imagined future "you" in Walt Whitman's long-lined democratic chants, and Francesco Parmigianino, the Mannerist painter invoked in John Ashbery's long poem from 1975, "Self-Portrait in a Convex Mirror." [...]
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on Sunday, October 16, 2005 at 7:06 AM.
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